One Hundred Empty Bowls

For a very long time now, my pottery friend, Bridget Hauser, founder of Sunset Canyon Pottery, has hosted an annual Empty Bowls event in Dripping Springs, Texas.
 
Empty Bowls is a concept that has been around quite a while. The story that is generally told is as follows:
1990 a high school art teacher in Michigan helped his students solve a problem. They were searching for a way to raise funds to support a food drive. What evolved was a class project to make ceramic bowls for a fundraising meal. Guests were served a simple meal of soup and bread, and were invited to keep the bowl as a reminder of hunger in the world. By the following year the originators had developed this concept in Empty Bowls, a project to provide support for food banks, soup kitchens, and other organizations that fight hunger. Since then Empty Bowls events have been held throughout the world, and millions of dollars have been raised to combat hunger.
 
The really big deal about Empty Bowls, is that the funds raised all remain local. In most cases, VERY local. And, well, I am into "local"!
 
At any rate, this summer, Bridget came up to McKinney to teach a workshop, and while we were visiting, she asked me to make some bowls in support of this project. This is a good time to point out that, when I first moved back to Texas in 2010, I had no space to do pottery work for almost a year. Bridget graciously allowed me to come to her studio and make all the empty bowls that I cared to make. It was a great way to keep up my skills, and I remain very grateful.  Even though I had been supporting the Empty Bowls event in Dallas for several years before moving back to Texas, the Dripping Springs event has remained near and dear to me, and I have been making bowls for them ever since.
 
So, of course I agreed!! And, then (after agreeing - not very smart, perhaps), asked her how many she wanted. We concluded that one hundred was a very good number, and it went up on the giant "TO-DO" white board in my shop.
 
I am very happy that, as of my last firing, the Dripping Springs Empty Bowls are now ready for delivery later this week.
 
And, just in case you are wondering what One Hundred Bowls actually look like, here are some photos. And, yes, you might notice that I had to take TWO photos to get them to all fit! Somehow it reminded me of those really old class photos from elementary school!
 
 
This is a more condensed version, but, even so, like bakers, we potters would ALWAYS like to have a bit more space!
 
After almost thirty years in business, Bridget has sold Sunset Canyon Pottery, to one of her former employees, and Bridget plans to be a semi-retired studio potter. So, the event location has moved down the road just a bit to the Mercer Street Dance Hall in "downtown" Dripping Springs. By clicking this link, you can get all the information about the Dripping Springs Empty Bowls Event that will be held on 6 November, 2016 from 11:00 AM - 4:00 PM.  Your $25.00 donation will not ONLY get you a GREAT bowl (if you get there early enough), you will get some good eats from some of the best chefs in Austin and Dripping Springs.
 
MOST importantly, the fundraiser will benefit Dripping Springs Helping Hands, a local organization that helps with food needs in the Dripping Springs area.  So, your donation stays local, and  goes to a good cause. 
 
So make plans to come on out and join us on 6 November. There will be great food, great music, and amazing bowls - all benefiting a really good cause. Just don't be late - folks have been doing this for a long time, and there will be nothing but slim pickings and empty pots by 3:00!!
 
I hope to see you there.
 

Local Collaborations – Filling Mugs with Happiness

McKinney, Texas, like more and more small towns around America, is fortunate enough to have a local brewery.  Well, actually, we are fortunate enough to have TWO local breweries – both of them producing some outstanding brews!

 

It brings me great joy to see the resurgence of small, local businesses making things that people use and enjoy.  It is one of the elements that makes a community truly great.  Whenever you can, take the time to seek out and support the local folks who are taking big chances to help develop true local character.

 

Most recently, I have had the opportunity to work with Keith Lewis out at Tupps Brewery, (http://www.tuppsbrewery.com/) in developing his customer appreciation program.  I choose to say “customer appreciate program”, because, if you ask ME, it’s a “Mug Club”, and, OF COURSE, if you ask Keith, it is a “Beer Club”!!  And, well, that’s how it should be. :-)

 


From my point of view, this exciting project involves creating some “hearty” mugs for an incredibly generous pour at the brewery.
The mugs feature the Tupps Logo, of course, and my usual “Keith Parsley Pottery” logo is wrapped in a hop flower.

Every once in a while, things turn out to be better than I had expected – the hops log is one of those cases.  The individually numbered mugs also have a small ceramic loop built in to them, opposite of the handle, to facilitate further customization.

  

 The basic idea is that the brewery will keep your mug on site for you, and when you stop in, you will be upgraded from the “standard plastic cup” to further enjoy your brew in your very own numbered mug.  It sounds like a great idea to me, and we are excited to see how it takes off.  Stop in and see the good folks at Tupps, and ask them all about it.  Be sure to enjoy a good LOCAL brew or two while you are there.



By the way, I would like to hear your thoughts and share them with the other readers.  If you click the Title of this post, or the small icon near the title on the right side (it is followed by a number in parenthesis), it will take you to a page where you can scroll to the bottom and add your comments - please do! :-)

Making One Hundred...

Recently, I had the opportunity to fulfill an order for one hundred custom-crafted mugs.  I recognize that, for some people, this is a sleep-walk in the park, and, for others, it is an insurmountable task.  For me, it was somewhere in the middle.  It was enough volume to get my attention, but not overwhelmingly intimidating.  


It was fascinating to experience first hand, what the “Production Potters” – particularly those trained in the “Leach Legacy” – have said all along – in essence, if you really want to understand your process, make a significant quantity of the items you are making.


I should be clear that the goal was never to make identical twins – more like recognizable family.  In our age of mechanized, and otherwise imposed, homogenization, my customer was happy to have recognizable individuality, personality, and variance in the final products.  There was no attempt or desire to disguise the fact that each mug was made by hand.  Artistically and philosophically, this suited me just fine.


On the surface, the process is straight forward.  Throw the mug bodies, and wait until they dry to leather hard – usually (but not always) overnight.  In the meantime, roll out, stamp, wash, and trim the slabs that comprise the custom logos that will be applied to the mugs.  Wrap those logos up nice and tight so they will not dry out before they are applied.  When the mug bodies are leather hard, pull handles, and let them set up while trimming the leather hard mug bodies.  Affix the logo slabs and the handles.  Cover the assembled mugs and let all those parts get to know each other while they dry together nice and slow.  Uncover them after a few days or so and let them dry out the rest of the way.  When they are bone dry, they go to the kiln for the bisque firing.  After they come out, apply wax to the logos to prevent glaze from adhering, then, glaze, load in the gas kiln, and fire!  Oh, and unless a potter should think he is finished at that point, the kiln needs to be unloaded, and the bottoms need to be touched up.  Simple, right! :-)


The interesting part, to me, is the relationships that emerge when trying to approach a project of this scope.  Just as a point of reference, many aspiring “studio potters” start off, and are challenge by, the mandate to “work in series of six or eight”.  And, yes, of course, an experienced production potter could sit down and crank out one hundred identical mugs in an afternoon.  And, well, I’ve reached the point that if we left out that “identical” word, I cold probably do that, too.  But that’s not the issue….


I know that I can comfortably throw about 25 to 50 pounds of clay to make about 14 to 30 mug bodies in a few hours.  But, the real challenge is the “next day”.  I spend a lot of time trimming those mug bodies.  Maybe it’s too much time.  Maybe I should change how I throw to reduce the amount of trimming that I do.  But, that is what I do – I spend a lot of time trimming.  I think that the bottom is just as – and maybe even more – important than the visible top.  I also still pull all of my handles by hand.  That takes time.  And, they need time to set up before than can be applied to the mug bodies.  Again, I think that the handle is a very critical element of the mug – it is the first interface between the object and the user – and that is a big deal.  And, believe it or not, I really do have reasons (and I have thought about those reasons) for why I do things the way I do them, and how they fit into the other steps of my process.


So, I find that my throwing time needs to be constrained by my ability to trim the bodies and to make and apply the attachments the next day.  The processes – which may seem distinct at first – are completely intertwined and interdependent.  The nature of clay compounds that issue a little bit.  Unlike, maybe paint, wood, fabric, or steel, clay sets the time line, and it is not very forgiving.  When I am making a shirt, I can set it aside, and come back to it when I have the time.  That is not so with clay!  Sure, we can wrap it in plastic, or set it outside in the sun, but, in general, it needs the right amount of time to be “right”.  There are not too many things a potter can do to speed up or slow down that time, and once the window of opportunity has passed, well, as they say, “That ship has sailed”…  Experience has shown that once the mug bodies dry past the magical “leather hard” stage, nothing else really works – trimming is miserable, handles and attachments pop off when they dry, cracking increases, and things are generally, well, “bad”.


With time being such a critical factor, there is also the issue of space.  No, not “Outer Space” – it’s actually more like “Inner Space” – as in the space in my shop!  I have heard that the two activities that require the greatest amount of flat surface area are pottery and baking.  And, well, I happen to do both.  So, I ALWAYS need more space!


Picture it – and let’s make it simple – multiple batches of thirty mug bodies each – some batches have handles and attachments and are covered in plastic slowly drying.  Some batches were thrown yesterday and will be trimmed today – and have all their attachments added.  Some batches are bone dry and waiting to go through the bisque kiln.  And, some batches have already been bisqued, and are waiting to be glazed and final fired.  Oh, and then there is the batch that was just thrown today and will be trimmed tomorrow – if the humidity cooperates.


So, just WHERE does a potter put all this STUFF??  Did I mention that it is all kind of fragile, so storing things in busy areas is a bad idea?  Fortunately, for me, I worked out the “space issues” in my shop.  But, it took a bit of “tidying up”, and eliminating any extraneous stuff that was taking up space and not directly related to the “Hundred Mugs” project.  And realize that the “Space Problem” continues until the happy customer arrives, packs up THEIR one hundred mugs, and takes them OUT of the shop! :-)


It is worth mentioning that I believe that “Murphy’s Law” exists.  It’s not some specter of impending doom that hangs over everything we do – certainly nothing so severe - but, things do go wrong, and it is worth building in a little slack to account for things like warping, cracking, unhappy glazes, breakage, and “that one just doesn’t look quite right”.  So, in order to be certain that there will actually BE one hundred mugs, it becomes “Make One Hundred and Twenty Mugs To Be Sure” – as a little bit of “insurance”.  That kind of insurance is usually a good thing, and helps a potter sleep better at night – especially the nights between firing and unloading the glaze kiln!


These are the kinds of things that I have learned – or at least developed a greater appreciation of - as a result of “Making One Hundred”.  I highly recommend that you pick a number.  Make it a number slightly larger than you feel is “reasonable”.  If you don’t have at least a little doubt, then it probably needs to be a slightly larger number.  Frankly, it doesn’t matter if it’s ten, a hundred, or a thousand – it’s more about how YOU feel when you think about the number.  If the number feels like it is on the outer cusp of your ability – then you’re probably in the right spot.  And then, go for it.  Seriously, don’t just talk about it – go and do it.  And, pay attention.  You will learn a lot about yourself, your material, and your process.  You will grow in good ways.


As an “Afterward”, my happy customer was so pleased when he distributed his mugs at his event that he requested thirty more.  At that point, my thinking was, “Oh, thirty, sure, no problem”.  That’s a nice feeling.  I made sixty more.  I don’t know why, I think it was just because I KNEW that I could.  I dare say that it was even kind of fun.  Not so secretly, I hope to get his order of TWO Hundred for his next event, and I am looking for more orders measured in multiples of “One Hundred”.  It’s good to be able to say, with certainty, “Yes, I can do that”.


Whatever you do, in whatever medium you work, find your number and try it out.  Yes, you can!


By the way, I would like to hear your thoughts and share them with the other readers.  If you click the Title of this post, or the small icon near the title on the right side (it is followed by a number in parenthesis), it will take you to a page where you can scroll to the bottom and add your comments - please do! :-)

Interview with Scott Silvia at his "Our 1 on 1" Podcast Website

McKinney, Texas is a fascinating community made of up of a lot of interesting folks doing interesting things.  Not only is Scott Silvia one of those interesting folks doing interesting things, he is also helping other interesting folks meet each other as well as potential customers.


At Scott's Pod-Casting website, Our 1 on 1 , he conducts fifteen to thirty minute interviews with folks in the greater McKinney area who are making things happen.  Scott recognizes the value of "The Story", and interviews people in a relaxed, casual environment.  He encourages them to talk about their backgrounds, their values - what makes them happy, and what they are working on and looking forward to.  In our rushed world, it is a great way to get to know other local folks and get a sense of what motivates them to do what they do.


In November, 2014, I had a chance to be interviewed by Scott.  Truth be told, I was pretty nervous driving over to his studio.  Scott has a way of helping folks feel comfortable and relaxed, and within just a few minutes, it felt like having a good conversation with an old friend.  The next thing I knew, we had wrapped up our thirty minutes, and I was wondering where the time had gone.  If you are interested, check out our interview here: Keith Parsley Our 1 on 1 Interview


Since then, I am pleased to report that Scott has been really busy with his "Our 1 on 1" project.    The interviews keep coming, and people are really starting to notice the site and what Scott is doing.  It is fun and exciting to see that there are like minded folks all around us, they are doing interesting things, and we can get to know them a little better via the "Our 1 on 1"website.  I would encourage you to give the site a visit, and have a listen to some of the stories being told.  They just might resonate with you, too.


By the way, I would like to hear your thoughts and share them with the other readers.  If you click the Title of this post, or the small icon near the title on the right side (it is followed by a number in parenthesis), it will take you to a page where you can scroll to the bottom and add your comments - please do! :-)

The Muffler Man Tour

The “WHAT” Tour??


From Wikipedia, the free encyclopedia…

“Muffler Men”

Muffler Men (or Muffler Man) are large molded fiberglass sculptures that are placed as advertising icons, roadside attractions or for decorative purposes, predominantly in the United States. Standing approximately 18–25 feet tall, the first figure was a Paul Bunyan character designed to hold an axe. Derivatives of that figure were widely used to hold full-sized car mufflers, tires, or other items promoting various roadside businesses.

International Fiberglass of Venice, California constructed most Muffler Men. Two books have been devoted to the distinctive roadside figures and the July 2012 issue of AAA New Mexico Journey devoted its front cover to their 50th anniversary.

While the fiberglass figures are no longer manufactured, many still exist throughout the US with a few in Canada. At least four remain on U.S. Route 66.

With that in mind, from 25 - 39 September, 2014, I took a motorcycle trip through Texas, New Mexico, Colorado, Kansas, and Oklahoma in search of these Giants in their native habitat.  If you don't mind downloading a 30 MB PDF File, you can join me on my adventure.  I hope you enjoy it at least as much as I did!


MufflerManTourSept2014.pdf (29.43 mb)


By the way, I would like to hear your thoughts and share them with the other readers.  If you click the Title of this post, or the small icon near the title on the right side (it is followed by a number in parenthesis), it will take you to a page where you can scroll to the bottom and add your comments - please do! :-)